In opulent late-nineteenth-century Brooklyn, clubs – both men’s and women’s – sprang to life by the dozen; the Hamilton, the Crescent, the Union League, the Unity, the Germania, the Brooklyn, the Carlton, among many others. Park Slope had begun to rival Brooklyn Heights as the borough’s prime residential area. The 1890 Census Bureau reported that Park Slope had the highest per capita income in the country and its residents were the leaders of Brooklyn society.
And so it is not surprising that a group of 25 men met one day in 1888 in the home of Norton Q. Pope at 241 Park Place to form the Montauk Club. On March 11, 1889, the State of New York issued a Certificate of Incorporation. Within weeks, the new club had drawn some 300 subscribers, making it necessary to lease the brownstone at 34 Eighth Avenue temporarily while they awaited completion of their new clubhouse.
To build their new home one of New York’s finest architects was chosen: Francis H. Kimball. Kimball had just completed the Corbin Building (still standing today on the corner of Broadway and John Street), and had earlier completed two exquisite churches, also still standing (Emmanuel Baptist Church, Lafayette Ave. and St. James Place, Brooklyn 1887, and Riverside Presbyterian Church, near Spuyten Dyvil, 1888) and was to go on to design the two huge buildings just north of Trinity Church in Manhattan, the Trinity and U.S. Realty Buildings on Broadway. Today, a century later, all of Kimball’s buildings still call forth admiration from architectural critics.
Kimball was noted for his subtle interweaving of different traditional styles. The Montauk Club, however, is pure Venetian Gothic, a romantic style popularized by the English architectural critic, John Ruskin. Its inspiration was the Ca d’Oro on Venice’s Grand Canal; the Quatrefoil (four-lobed) windows and pointed arches of the Club are taken directly from the Ca d’Oro.
Kimball was an early user of terra cotta ornamentation, the molded clay material that was just becoming fashionable. It is visible throughout the Club’s exterior, forming the surrounds of the windows and enclosing the columns on the balconies. The Indian faces that compose the capitals of the columns are of terra cotta, as are the Club’s two friezes: One, running around three sides of the building depicts scenes of the Montauk Indians; the other, above the main doorway on Eighth Avenue, shows the laying of the building’s cornerstone.
The subtle coloration of the structure, from dark brown to tawny yellow, reflects the restricted range of materials used: brownstone, yellow-orange brick, ivory and amber terra cotta, red Spanish tiles for the roof.
Between the three lower stories and the two upper stories, Kimball inserted a balcony that ran around three sides. For structural reasons, this was later removed.
Kimball’s plans were very specific in the uses they called for.
The Basement: Besides the bowling alley, which took up half of the space, there were toilets for both men and women, a coatroom just off the main staircase, and a café and buffet at the Plaza street end of the building. Members did not go hungry after a strenuous game. (Basement is now private office space.)
The First Story: Two flights of stairs from the street led to this floor. The small flight on the left, as one faced the building, led to the Ladies’ entrance. A lady could enter the elevator here or, if she chose, ascend the ladies’ staircase on that side of the building that led to the third story. The large flight lead to the Reception Room which found the same use in Kimball’s day that it does today, but beyond it the long salon was designated as the Reading room; and beyond that, the Plaza Street room was called the Morning Room or Café. The room next to it was used for a buffet (now the kitchen). There was another coatroom – the present ladies’ room.
The Second Story: Billiards, the game of the hour occupied the two main areas, both called Billiards rooms. There was no bar. The room off the present bar served as a Buffet. The small room to the right of the staircase was the Board room and the present Board room was then two rooms – both Card rooms, as was the room next to it.
The Third Story: The Dining Room of 1891 occupied the large area on the Plaza Street side of the building. The dining room was divided into three small dining rooms, separated for privacy by low partitions. The corner Eighth Avenue room was the Ladies Dining Room, reserved for ladies’ dining alone. Next to it on Eighth Avenue was the Ladies Reception room. (Now private residences)
The Fourth Story: Besides the Kitchen, which occupied about a third of the floor space and surrounded the service stairs there were six apartments – rooms for members or guests. These ran along Lincoln Places side of the building. The Plaza Street end was taken up by a “Jolly Room” seemingly a large living room for the men occupying the apartments. The balcony supplied access to the outside for the Apartments and the Jolly Room. One large bathroom, with two tubs, two sinks and two W.C.s served the six apartments. (Now private residences)
The Attic floor: Part was unfinished, part served as Servants apartments and part contained the laundry. (Now private residences)
The building cost a total of $232,272 — $40,000 for the land, $162,686 for the building and $29,586 for the furnishings.
In 1996, the clubhouse was converted to condominiums with the membership retaining the parlor and second floors for club use. In 2014, the club is celebrating its 125th anniversary.